backstory50: Constructivist Art at the NEU
When The Making of a Museum exhibition opened in 1974, Roy R. Neuberger’s modern art collection was the largest of five groups of art represented in the show. Hans Richters’ collection of Dada art, which we wrote about a few weeks ago was a second. Today, Curatorial Assistant Rem Ribeiro is helping me introduce a third: the George and Edith Rickey Collection of Constructivist Art.
Art movements have always been a way for artists to express their unique perspectives. Though Dada and Constructivism both emerged in the early 20th century, Dadaism was characterized by its playful and nonsensical approach to art while Constructivism was more practical and utilitarian. Constructivists also favored industrial materials and geometric shapes. Some say Constructivism’s emphasis on functionality and practicality paved the way for modern design. For George Rickey, himself a prolific sculptor of kinetic art, the Constructivist movement was one that brought spatial presence, relationships and properties, and reactions to the modern era—together in real-time. Read more about the Rickey Collection.
Today’s 50th anniversary thank-you goes to generous donors such as the Rickeys, the Neubergers, Hans Richter, Aimee and Eliot Hirshberg, Elaine and Raphael Malsin, and so many other artists and friends who have shared their collections—and their passions for art—to help the Neuberger celebrate the diversity of artistic movements and showcase a wide range of perspectives in our exhibitions.
Tracy Fitzpatrick
Director, Neuberger Museum of Art
Watch for a new backstory every Wednesday and follow us on social media as we share stories about the Museum’s history, our evolution to the present day, and look ahead to our exciting future. Stay up-to-date with the latest news and “NEU 50 Years” updates on our anniversary webpage.