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backstory: Getting to see it once again

Last night I had the great pleasure of watching Faith Ringgold see For the Women’s House installed at the New Museum as part of her retrospective there. I know from having spoken with her in the past how important that work is to her. Last night would be, probably, only about the fourth time she’s seen it since its dedication at Rikers years ago.

Here’s the other thing that was really great about seeing that show last night. Since the Neuberger exhibition a few years ago covered the entirety of her two earliest bodies of work—American People and Black Light—being in the first four rooms of the retrospective was like stepping back into the show Thom Collins and I co-curated for Faith all over again. There were all the works that we had spent so much time with; that we gathered, conserved, photographed, framed, and arranged in the galleries of the Neuberger; and that we got to live with for several months. Faith’s self-portrait. Between Friends, the first in the American People series that we purchased at that time and have loaned to the New Museum show. Big Black. Die. The Flag is Bleeding. For the Women’s House. All of them. It’s not often you get to see your show again over a decade later, even if it’s in another location. Thanks, New Museum.


Tracy Fitzpatrick
Director
Neuberger Museum of Art

Find me on Twitter @tracyfitzart

 

Click to see the detail image of Faith Ringgold's For the Women's House (1971), oil on canvas... Click to see the detail image of Faith Ringgold's For the Women's House (1971), oil on canvas, 96in x 96in (243.8 x 243.8 cm)