Davin DeCicco

• Worked with Foy on having an actor fly
• Show was in repertory with another show
• Called three dance numbers over the course of the show
• No backstage area or masking to cover deck stage management
• Created lines and characters from stage directions
• Limited Showings due to COVID-19

Playwright: José Rivera

Director: Dennis Hilton-Reid

Choreographers: Cora Rinehart & Georgia Taylor

Scenic Designer: Giana Fanelli

Lighting Designer: Nina Field

Costume Designer: Christina Prussen

Sound Designer: Massimiliano DiMartino

Technical Director: Mike Donato

• Ensemble Show
• Was the first show in a new performance space
• Directed replacement cast member on day of performance
• Coordinated with the Purchase Soccer Coach and Team to train the cast
• Dealt with multiple injuries during rehearsals
• Handled soccer balls flying in to the audience

Playwright: Sarah DeLappe

Director: Sarah Elizabeth Wansley

Assistant Director / Choreographer: Claudia Swidzinski

Scenic Designer: Franny Sebastiano

Lighting Designer: Steven Zhang

Costume Designer: Kylie Madden

Sound Designer: Nina Field

Technical Director: Amber Hennes

• Show becomes an opera in the third act
• Worked with a live orchestra, dance choreographers, music directors, and fight choreographer
• Coordinated and executed three major set changes including a house boat and a real car
• Trained and worked with six different firearms and two swords for multiple fights
• Tracked all props and scenery
• Was in repertory with another show

Playwright: Anne Washburn

Director: Johanna McKeon

Musical Director: Jin Lee

Music Coordinator: Stephen Ferri

Fight Choreographer: J. Allen Suddeth

Choreographer: Paige Nelson

Production Stage Manager: Sabine Michaud

Scenic Designer: Ayisha Munshi

Lighting Designer: Hoon Lee

Costume Designer: Owen Arthur

Sound Designer: Nina Field & Nickolas Lambert

Technical Director: Clay Fried

• Small cast of 3
• Worked in a space that was converted into a small theatre
• Was in repertory with another show
• Chosen by the National Black Theatre Festival
• Became Production Stage Manager for excerpts that were performed months later for an awards ceremony

Playwright: Tarell Alvin McCraney

Director: A. Dean Irby

Choreographer: Kar’mel Small

Production Stage Manager: Shay Holihan

Scenic Designer: Ryan Dziedziech

Lighting Designer: Mokshini Gobin

Costume Designer: Tessa Pilon

Sound Designer: Nina Field

Program Manager: Quinton Champitto

92Y Gala - Shakespeare, Continued.

• Ran the room for a dinner party and a panel of Broadway’s Gary: A Sequel to Titus Andronicus

27th Oscar Hammerstein Award Gala Honoring Susan Stroman

• Talent Wrangler for all performers including multiple big Broadway Casts

Lincoln Center’s 60th Anniversary Diamond Jubilee

• Talent Wrangler for bands and an entire choir of kids

• Worked on multiple student film sets as a production designer
• Was in charge of wardrobe, costumes, and makeup
• Helped location scout and did the set dressing for locations
• Managed film projects while working on shows
• Learned terminology and equipment for film

• From top left to bottom right: Blocking Brows/Gender Flip (Half face), Burns, Cuts and Bruises, Celebrity Lookalike (Trixie Mattel), Zombie, and Aging
• Given a short demo and about an hour to create makeup looks
• Learned how to use a special effects makeup kit including liquid latex, modeling putty/wax, spirit gum, and prosthetics
• Basic training in the fundamentals of makeup including application, contour, highlight, etc.