Assistant Professor of Arts Management
Melissa Forstrom’s research and teaching focuses on the intersection(s) of exhibitions, museum interpretation, communications and society. Her current project documents and analyzes the changing interpretation in Islamic art exhibition in the United States, Europe and Asia. Melissa defines interpretation broadly to include museum texts, design, immersion, photographs and maps.
Having presented her research at conferences in the United States, the United Kingdom, Singapore and Russia, Melissa has also been invited to speak at the Detroit Institute of the Arts, Museum of Fine Arts- Boston, the Smithsonian National Museum of the American Indian, the New York Public Library, the King Abdulaziz Centre for World Culture at the American Alliance of Museums Conference, and P21 Gallery (London). She has guest lectured at The New School, Johns Hopkins, the University of Leicester-UK, University of Oslo, Humboldt University-Berlin, University of Westminster-London, and the University of Wales.
- AMG 2300: Communicating the Arts
- AMG 3420: Exhibition Practice and Management
- AMG 3540: Visual Arts Management II: Curatorship and Connoisseurship
- CMS 3300: Management and Communications
- LBS 3018: Diverse Abilities: Cross-Disciplinary Perspectives
Presentations / Conferences
Guest Lectures, Invited Presentations and Conference Presentations:
2018- Conference:“The Photographic Image as Interpretation in Islamic Art & Archeology Exhibitions” Image studies and museum practice: the image as the focal point of research versus the image as exhibited object” Berlin Graduate School of Ancient Studies, Berlin, Germany, November 2018.
2018- Guest Lecture: “Knowledge Creation in Islamic Art Exhibition” The New School, Curating Knowledge course, October 2018
2018- Invited Presentation:“International Interpretative Approaches to Islamic Art Exhibition” Arts and Minds lecture series, Detroit Institute of the Arts, Detroit, Michigan, October 2018.
2018- Guest Lecture:“Interpretative Responses: NYC Museums and the Muslim Travel Ban” University of the Arctic, Department of Archaeology, History, Religious Studies and Theology, Tromsø, Norway, September 2018.
2018- Conference:“Interpretative Approaches and Media Representation in Islamic Art Exhibition” Museology- Museum studies in the 21stcentury: problems of studies and teaching, Saint Petersburg State University, Saint Petersburg, Russia, May 2018.
2018- Invited Presentation:“Reinterpreting Islamic Art”Arts of Asia, Museum of Fine Arts- Boston, Boston, MA, July 2018.
2018- Invited Presentation:“Islamic Art Display in New York City”, Dealing with Islam in Berlin’s Museum Context Workshop, CARMAH, Institut fuer Europaeische Ethnologie, Berlin, Germany, January 2018.
2018- Guest Lecture:“Islamic Art Reinterpreted”, University of Oslo, Department of Culture Studies and Oriental Languages, Center for Museum Studies, Oslo, Norway, January 2018.
2017- Conference:“Reinterpreting Islamic Art Exhibition and the Mass Media” Malacca to Manchester: Curating Islamic Collections WorldwideUniversity of Manchester, Manchester, UK, February 2017.
2016- Guest Lecture:“The Museum Context and Islamic Art ” University of Wales, Swansea College of Art, Swansea, UK, October 2016.
2016- Guest Lecture:“Text Panels, Maps and Visitors in Islamic Art Exhibition”, University of Leicester, Museum Studies (MA), Leicester, UK, October 2016.
2016- Invited Presentation:“Language in Islamic Art Exhibition”, P21 Gallery, London, UK, October 2016.
2016- Guest Lecture:“Interpretation and Visitors in Islamic Art Exhibition”, Johns Hopkins- Museum Studies (MA), Onsite Seminar Roundtable- University of Westminster, London, UK, July 2016.
2016- Guest Lecture:“Written Interpretation in Islamic Art exhibition and the Mass Media”,University of Wales, Swansea College of Art, Swansea, UK, April 2016.
2015- Conference: “Why Aren’t Moving Images ‘Islamic’?” International Forum on Contemporary Islamic Art, Design, and Architecture: Where/How Does the North Meet the East?Joint Conference of School of Art, Design and Media Nanyang Technological University, AMCA, Associations for Modern and Contemporary Art of the Arab World, Iran, Turkey and VCU, Qatar, Singapore, Singapore, October 2015.
2015- Invited Presentation:“Mapping the Museum Territory” P21 Gallery, London, UK, July 2015.
2015- Invited Presentation:“Maps in the Museum” Wertheim Study Talk, New York Public Library. New York, NY, January 2015.
2014- Invited Presentation:“Text Panels in Exhibition/Reinstallations of Islamic Arts and their Relationship to the Mass Media”, The Innovation Edge Conference-International Forum, Roundtable Discussion sponsored by the King Abdulaziz Centre for World Cultures, American Alliance of Museums. Seattle Convention Center, Seattle, Washington, May 2014.
2014- Conference:“Erasure of States and Border in Islamic Art Reinstallations”, World History Theory and Practice: States, Border, and Migration Conference. History Department. St. John’s University, New York, NY, May 2014.
2013- Conference:“Metamorphosis of Islamic Art Exhibition Space: Two Permanent Reinstallation Case Studies”, Museum Metamorphoses: The Adaptable and Changing MuseumLeicester University, Leicester, UK, November 2013.
2013- Conference:“Media Representations and Museum Exhibitions of Islam and Muslim Peoples: Connections and Importance”, Archbishop Desmond Tutu for War and Peace Studies and the Centre for the Applied Study of Muslims and Islam in the UK: Representations of Religions in the Media: Multidisciplinary Approaches Conference. Liverpool Hope University, Liverpool, UK, July 2013.
2013- Invited Presentation:“Text Panels in Exhibitions/Reinstallations of Islamic Arts”, National Museum of the American Indian-Smithsonian Institution. Washington, DC, September 2013.
2013- Conference:President’s Travel Grant Awardee-“The Public Image and Museum Exhibitions of Islam and Muslim Peoples: Relationship, Connections and Importance”, International Visual Sociology Association: The Public Image. Goldsmiths College, London, UK, July 2013.
2013- Invited Presentation:“Text Panels in Exhibitions that Represent Islam and Muslim Peoples”, Wertheim Study Talk, New York Public Library. New York, NY. July 2013. (Interview: http://www.nypl.org/blog/2013/07/15/meet-scholar-melissa-forstrom)
2013- Conference:Graduate Scholar Awardee- “Representations of Muslim peoples and Islam in Two Western Museum Exhibitions”, Religion and Spirituality in Society: Third International Conference. State University of Arizona, Tempe, AZ, March 2013. (Link: http://religioninsociety.com/conference-archives/2013-conference/2013-awardees)
2012- Conference:“The construction of identity and difference at the Hajj: journey to the heart of Islam exhibition at the British Museum”, Inter-Disciplinary.Net: 6th Global Conference – Multiculturalism, Conflict and Belonging. Mansfield College, Oxford University, UK, September 2012.
2012- Conference:“Three exhibitions of Muslims/Islam in New York City cultural institutions in 2011”, International Visual Sociology Association: Re-visualizing the City Conference, St. Francis College, Brooklyn, NY, July 2012.
2012- Conference:“Remembrance of 9/11 at Three New York City Cultural Institutions”, English Graduate Student Association Conference: Memory Remains. Northeastern University, Boston, MA, March 2012.
Exhibitions / Performances
Docent Training, Neuberger Museum of Art, Purchase, NY, January 2018
Developed training for Neuberger docents on the history of interpretation in museums
Exhibition and Interpretation Development & Summative Evaluation, Walters Art Museum, Baltimore, Spring- Fall 2015
Advised and participated in exhibition development including visitor-centered design and written interpretation for the Pearls on a String exhibition. I contributed to the creation and editing of content in interpretative design, wall panels, objects labels, gallery guides, and placards. Additionally, I conducted summative visitor evaluations by interviewing visitors.
Summative Evaluation, Metropolitan Museum of Art, New York, NY, Spring 2014
Conducted summative visitor evaluations at the Metropolitan Museum of Art by interviewing visitors about the interpretation (both written and design) of the reinstalled New Galleries for the Art of the Arab Lands, Turkey, Iran, Central Asia and Later South Asia.