She Kills Monsters
by Qui Nguyen
Directed by
Noel Holmgren & Mack Gomes
Cast (in order of appearance)
Narrator/Evil Tina/Farrah | Kirry Kaufer
Tilly | Lily Wolpert
Agnes | Brisa Nunes
Chuck | Billy Arrowsmith
Miles | Cayd Barrera
Lilith/Lilly | Alice Palmer
Kaliope/Kelly | Zia Williams
Orcus/Ronnie | Matthew Lazzarino
Steve | Lee Giove
Vera/Evil Gabbi/Beholder | Sydnee Rose Ferretti
Production Team
Stage Managers | Jorin Clougherty & Kim Crossway
Fight Choreographer | Tony Mita
Fight Captain | Lee Giove
Dance Choreographer | Sydnee Rose Ferretti
Set Designer | Hazel Grant
Lighting Designer | Matt Descalzo
Light Board Op | Aaron Levesque
Sound Designer | Dana Freeman
Costume Designer | Hope Lowery
Projection Design | Lucifer Clougherty
Assistant Props | Jenna Hernandez
Run Crew | Grace Cavanagh & Isabella Moncada
Composer Credits
“Prologue” by Jagger Clark
“Choose your Fighter” by Emmett Engarde
“Bugbears” by Gabriel Berger
“Kicketh Ass” by The Espressos
“Me and My Wee Butt” by Jorin Clougherty
“Doppelganger Fight” by Gabriel Berger
“Well That Succubus” by Emmett Engarde
“Upbeat Funk” by Infraction*
“Aegra Kenir” by Andrew Alford
“End of Journey, Start of Life” by Kim Crossway
*The Creator’s Community, inaudio.org, Creative Commons license
Scene List
Prologue | New Landia
Scene 1 | Game Store
Scene 2 | Tilly’s Room
Scene 3 | Orcus’ Lair
Scene 4 | Vera’s Office
Scene 5 | New Landia
Scene 6 | Farrah’s Forest
Scene 7 | Agnes’ House
Scene 8 | New Landia
Scene 9 | Vera’s Office
Scene 10 | New Landia
Scene 11 | Vera’s Office
Scene 12 | New Landia
Scene 13 | Agnes’ Office
Scene 14 | New Landia
Scene 15 | Vera’s Office
Scene 16 | The Castle of Evil
Content Advisory
She Kills Monsters contains discussions of grief and death, homophobic language, and mention of sexual assault.
This production also uses flashing lights.
Director’s Note
Hello and welcome to our show! When Mack first approached me about working on this play it immediately caught my eye. I’m not as familiar with Dungeons and Dragons, but I loved the elements of the show that are tied to it like, dramedy, found family, storytelling, and more. It has been such an adventure putting on this show. Everyone involved relates and connects with the material in their own way and it makes me happy to finally get to share this with an audience.
This play blends Athens, Ohio with the fantasy of New Landia. This results in an interesting breakdown of not realizing how much someone or something can impact you, real or fictional. A lot of pieces of media like D&D can serve as an escape from your own world but a way to explore what you’re going through and find some commonality with it. I’m glad this play was able to happen, and that all of its humor, creativity, 90s pop culture references (that we totally understand), and other idiosyncrasies will be shared with people who will be able to relate to this story. I’ve found support in our team like Tilly does with her party and I’m very lucky to have been surrounded by such funny, passionate, and caring individuals. I wouldn’t be as comfortable identifying as nonbinary if it weren’t for them and others on this campus. Thank you all for coming, and enjoy a game like no other.
–Noel Holmgren
Welcome to New Landia! Thank you all for coming to tonight’s show. When I first inquired after directing a full-length show for my senior project, She Kills Monsters was basically the first one to pop into my head; Nguyen’s work work is bright, witty, sharp, and heartfelt, and speaks to me immensely, as a person who has dealt with grief, as a young queer person, as an outcast and a geek and simply someone who loves Dungeons and Dragons.
She Kills Monsters is a story about finding connection and family, where you didn’t expect it, and also where you didn’t realize it has been all along. I am proud to say that those who have committed to bringing this show to life with me have been nothing short of a family, and the most wonderful people to find connection with that I ever could have imagined.
She Kills Monsters is about embracing the outsider, the weird and surreal, the gimmicky and preposterous. We’ve tried to build gimmick and heart both into our show, and every step along the way has been joyful and exuberant. I hope tonight, you open your hearts for Agnes and Tilly, their party and their friends and their lovers and their enemies alike. May your encounters be fruitful, may all your crits land, and may you collect enough experience to last you a lifetime.
–Mack Gomes
Creative Team Profiles
Aaron Levesque (Light Board Op) is a THP student.
Andrew Alford (Composer) is a Junior Studio Composition major.
Dana Freeman (Sound Board Op) is delighted to be part of She Kills Monsters! Dana (she/her) is a Theatre and Performance Major and is working towards minors in Playwriting and Literature. Dana wears many hats (in theatre and in general) including acting, directing, and stage management on shows at SUNY Purchase and during her high school years overseas. She enjoys chocolate mousse cake, sleep, and making lists (especially ones with parentheses). She would like to thank you (the reader) and hopes you enjoy the wonderful show!
Emmett Engarde (Composer) is very cool and fun and absolutely overjoyed to be a composer for She Kills Monsters. Known for his previous compositional work on songs such as Left Shark’s Lament and Kill The Spider-Man, Emmett also wrote and composed music for Danganronpa: The Deadly Musical, a video game musical adaptation presented on YouTube to an audience of over seven viewers. (A lot of people.) In his spare time, Emmett can be found building Lego sets or standing dramatically at the top of a staircase. He is also currently struggling to open a string cheese package, but that’s neither here nor there.
Gabriel Berger (Composer) is a freshman Creative Writing major.
Grace Cavanagh (Run Crew) is a junior majoring in Theater and Performance.
Isabella Moncada (Run Crew) is a junior THP major / Literature minor
Jagger Clark (Composer) is thrilled to be part of She Kills Monsters! Jagger is from Irvington, NY and is a Studio Composition major in his senior year. He specializes in writing music for film and has created scores in works such as Emma Keating’s The Ooze and Victor Barsotti’s Bruises, along with others. When not composing for outside work, he often is working on his story, The Fallen King for which he creates music videos. Otherwise, he is an avid film and video game fan and greatly enjoys stories of all kinds! He is extremely grateful to be part of this production and would like to give a special thanks to his supporting mother and friends!
Jorin Clougherty (Stage Manager) is excited to be a part of She Kills Monsters! Jorin is a THP junior from Ithaca, NY, who enjoys weeping, drinking Earl Grey tea, and holding rocks. Past Purchase credits include Frame(D) (“Amethyst”), Crystal Clear (Stage Manager), and Pie Day (“Addy”). Jorin would like to thank the directors, Mack and Noel, his wonderful co-SM, Kim, and the whole cast and crew. Enjoy the show!
Lily Wolpert (Tilly) (she/her) is a sophomore theatre major and screenwriting minor. Her past roles include Our Dear Dead Drug Lord (“Zoom”), Taming of the Shrew (“Baptista”), Too Much Light Makes the Baby Go Blind (“Player”), and Brothers Grimm’s Spectaculathon (“Girl/Snow White”). Lily is the PR officer for Purchase’s improv team and is a part of the school’s sketch comedy club. Lily would like to thank Mack and Noel, the rest of the cast, her family, and her friends for supporting her throughout this show, and she’d like to give a special shout out to her sister for always being there, in-between the times we wanted to kill each other. I couldn’t tell this story without you.
Director Profile
About the Conservatory of Theatre Arts
In our teaching and art, the Conservatory values inclusiveness, equality, and excellence. Upholding all of our training is our aim to train and graduate citizen artists: multifaceted people with a strong sense of purpose in approaching an arts education.
What is a citizen artist? Citizen artists seek to discover how their unique voices can contribute to our world. They understand what it means to be an artist, and what they are here on earth to say and do and make.
The Conservatory trains future citizen artists in three degree programs:
+ BFA Actor Training. The BFA is an intensive professional training program offered to a highly select and diverse group of students. The professional training is anchored in four years of study in acting, voice, speech, and movement, complemented by offerings in dramatic literature and analysis, history of the theatre, stage combat, improvisation, mask work, acting for the camera, and the business of acting. As one of five schools in the Consortium of Professional Theatre Training Programs, Purchase is one of a handful of colleges in the world capable of training artists at this level—and of drawing a faculty from the ranks of professional theatre
+ BFA in Theatre Design/Technology. Emphasizing studio and classroom training, our professional training program in theatre design/technology gives students the guidance and support of established and theatre industry professionals. Many of our alumni are recognized at the top of their field, and have received Tony, Emmy, Obie, and Drama Desk Awards, among other honors. Quite literally, Purchase grads are working in or have worked in every theatre on Broadway, in all tristate venues, and with countless touring productions
+ BA program in Theatre and Performance. From traditional theatre to cutting-edge interdisciplinary work, the theatre and performance major encourages creativity, intellectual curiosity, social engagement, and critical thinking. The core requirements combine scholarship and practice to provide students with a strong foundation in theatre history and dramatic literature, with mandatory stagecraft/production courses. Theatre and Performance majors are encouraged to expand the scope of their education by studying abroad, as well as pursuing coursework in other programs of study within the School of Liberal Arts and Sciences at Purchase College