faculty

Brooke SingerBrooke Singer.jpg

Associate Professor of New Media
School of Film and Media Studies

Office: NS3004
Phone: (914) 251-6644
Fax: (914) 251-6635
Email: brooke.singer@purchase.edu

Personal website: www.bsing.net/

Education:
Wesleyan University, BA, 1994
Carnegie Mellon University, MFA, 2002

Positions held:
Associate Professor of New Media, Purchase College, 2010-present
Assistant Professor of New Media, Purchase College, 2003-2010
Assistant Curator of Digital Media, American Museum of the Moving Image, New York

Areas of expertise:
net art, tactical media, social web, photography

Research interests:
emerging technologies for social change, data visualization, data surveillance, environmentalism

Courses taught:
Internet as Public Art, Information Aesthetics, Experimental Web Practice, Digital Media Studio, Community Centered Media, New Media Senior Seminar I & II

Selected honors and awards:
Eyebeam Art + Technology Fellow 2010-2011; Headlands Center for the Arts Residency 2010; New York State Council on the Arts Individual Artist Grant 2009; New York Foundation for the Arts Computer Arts Fellow 2007; New York State Department of Energy's Next Generation Emerging Technologies Award; Turbulence.org Commission (2011, 2007 and 2004); Social Sculpture Commission by Eyebeam Art and Technology Center and the Lower Manhattan Cultural Council (2005); Franklin Furnace Future of the Present Award (2004); Experimental Television Center Finishing Funds (2004).

Selected publications:
Net Works: Case Studies in Web Art and Design, "Superfund365.org," Routledge, 2011; An Atlas of Radical Cartography, "The US Oil Fix," Journal of Aesthetics and Protest Press, 2007; Radical History Review, "Surveillance Creep!," Duke University Press, Spring 2006; Sarai Reader 04, "Introducing AIDC as a Tool for Data Surveillance," Crisis and Media, Winter 2004; Link: A Critical Journal on the Arts in Baltimore and the World, "Databody," Issue 7: Becoming–Machine, Becoming–Live, Fall 2001.

Selected exhibitions:
Greater New York 2010, MoMa/PS1, New York, NY; (eco)aesthetics: Monitoring Ecological Data / Patterns of Human Consumption, TAG, The Hague, The Netherlands; Vapor, Southern Exposure Gallery, San Francisco, CA; Arte.Mov, A Festival of Mobile Art, Belo Horizonte, Brazil; 6 Billion Perps Held Hostage: Artists Address Global Warming, Warhol Museum of Art, Pittsburgh, PA; New Media When, Neuberger Museum of Art, Purchase, College, Purchase, NY; Sonar Music and Multimedia Festival, Barcelona, Spain;  Exit Biennial II: Traffic, Exit Art, New York, NY; Break 2.3: New Species, Ljubljana, Slovenia; Crime Thoughts, DiverseWorks, Houston, TX; Cyphorg Citizens & Unwitting Avatars, New Langton Arts, San Francisco, CA; Database Imaginary, Walter Philips Gallery, Banff, Canada; Whitney Museum of American Art, Artport, online; Biennale de Montréal, Montreal, Canada; FILE-2002, Sao Paulo, Brazil; SIGGRAPH 2002, San Antonio, TX., Montreal, Canada; FILE-2002, Sao Paulo, Brazil; SIGGRAPH 2002, San Antonio, TX.